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In a 2007 defense of Don DeLillo’s Underworld published in The Quarterly Conversation, the young critic Garth Risk Hallberg argued that in DeLillo’s masterwork, “Here was a major novel that drew equally on the realist legacy--its ironies, historical depth, and strong point of view--and on the absurdism, historical holography, and fragmentation of the postwar fiction of social critique,” in doing so becoming the best book of its age (and one of the few to...

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