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Tag: Paul D’Agostino. Art

To visit Surface Support, a group exhibition of a meta-mixed-media sort currently on view at Signal Gallery (through August 9th), is to enter a large, mostly dark room, and to be greeted by a rather aesthetically fragmented suite of objects whose carnivalesque cacophonies—visual as well as acoustic—seem to share the common function of shooing you away. Which is to say, they don’t really greet you. Which is to suggest, they don’t really need you....

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