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The Book of Mary (1985) Directed by Anne-Marie Miéville Miéville’s short is customarily paired with Godard’s Hail Mary, but beyond the constant collaboration between the two directors (and the fact that they’re an item), they aren’t truly connected beyond the name shared by both protagonists: in this case, a young girl who finds herself growing up amidst her parents’ divorce. The short quietly relates moments we all know, from life or from fiction: the reveal in...
If… (1968) Directed by Lindsay Anderson "Non-realism in style is not—must not be—synonymous with unreality. These worlds are unreal." Anderson wrote those words about a trio of John Ford films he felt went in for too-easy symbolism, too deliberate a break from the emotional truth Ford was capable of. Anderson, whom Stanley Kauffmann called the “best directing talent” England ever produced, found the perfect medium for the real and the unreal in his sophomore feature. If…...

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