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Tag: For the Ones to Come

Welcome to another installment of our monthly feature in which a rotating cast of film critics hold forth on the highs and lows of month of moviegoing. Kaili Blues This impressive debut feature by Bi Gan, who was all of 26 when he made it, contains the undisputed Shot of the Month, a 40-minute take that comprises most of the film’s latter half. The marathon sequence, a sort of lucid bobbing and weaving that...

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