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Last week I posted a lengthy, ambling, ultimately perhaps tiresomely discursive roundup of 2016 art highlights. As you’ll likely recall if you read the piece—or as you might observe if you read it here—I found it rather difficult, even nearly dishonest to dig into all the microcosmic good of NYC art shows and the like without first addressing various aspects of the macrocosmic bad that has characterized so much of what we’ve seen in...
I probably don't need to open this post with a lengthy, serpentinely worded commentary or critique on how the generally befuddling, definitively unseemly, ethically incongruous, historically anomalous morass of tawdry affairs that characterizes the current status quo of the transfer of power at the executive level of the government of our United States of America gets increasingly awkward, mentally cumbersome and phenomenally embarrassing from one day to the next, and in accelerating modes that...
A couple weeks ago I attended a talk at the New York Studio School. Titled “A Quiet Ask” (pictured below), it was an exchange between Brooklyn painter Glenn Goldberg and Elena Sisto, his longtime friend and a fellow artist. It was a discussion of Glenn’s work. It was a discussion of Glenn’s life. It was a discussion of how the latter informs the former, and the former the latter. And so it was that a very...
It was a somewhat grey and rainy, at times even almost chilly weekend in the city, but none of that would've registered as drab or a drag at all if you were one of the thousands upon thousands of visitors, artists, curators or incidental passers-through in Bushwick this past weekend. And that's because it was the big weekend of Arts in Bushwick's marquee annual event, Bushwick Open Studios. What's more, it was the 10th-anniversary iteration...

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