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PHOTOGRAPHY BY: Zach Gross At the start of the Brooklyn Academy of Music’s latest iteration of William Shakespeare’s King Lear (dir. Gregory Doran), our titular character is brought out onstage, not only on the backs of his servants but also surrounded in a hollow cube. This cube, which is both a manifestation of his vanity and a metaphor for his disconnect with reality, is then reused twice more during the Royal Shakespeare Company’s (King and...

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