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Costume Party is a monthly column exploring fashion, personal style, and historical aesthetics in film. Stanley Kubrick’s final film, Eyes Wide Shut (1999), has become a cinephile Christmas classic, playing in repertory theaters around the city and bringing little in the way of yuletide cheer. (You can catch it in 35mm at Moving Image, Lincoln Center and Metrograph this holiday season.) There’s much to explore regarding the film—the depiction of sexuality, its place in Kubrick’s...