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Beauty and the Beast (1946) Directed by Jean Cocteau The enjoyable paradox at the center of Cocteau’s cinema is the sense that his films are both defiantly otherworldly yet utterly handmade, most evident in his most famous work. The opening confirms Cocteau’s awareness of the dichotomy, as he begs the audience to conjure the lost childhood innocence with which they can properly be induced into the fairy tale, all while the credits are written out in...

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