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The Book of Mary (1985) Directed by Anne-Marie Miéville Miéville’s short is customarily paired with Godard’s Hail Mary, but beyond the constant collaboration between the two directors (and the fact that they’re an item), they aren’t truly connected beyond the name shared by both protagonists: in this case, a young girl who finds herself growing up amidst her parents’ divorce. The short quietly relates moments we all know, from life or from fiction: the reveal in...
Beauty and the Beast (1946) Directed by Jean Cocteau The enjoyable paradox at the center of Cocteau’s cinema is the sense that his films are both defiantly otherworldly yet utterly handmade, most evident in his most famous work. The opening confirms Cocteau’s awareness of the dichotomy, as he begs the audience to conjure the lost childhood innocence with which they can properly be induced into the fairy tale, all while the credits are written out in...

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