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It is paradoxically fitting that the least obscure picture from a director about whom not much has been said and written is a wordless film entirely composed of grunts and gibberish. Claude Faraldo's Themroc (1973), screening throughout March at the Spectacle, does away with dialogue and music and instead orchestrates the cacophony of working life into a destructive crescendo. The title character, played by a rasping Michel Piccoli, goes about his daily grind with...

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